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The Doors
Accords et partitions
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Riders On The StormA Em Em7 Em9 C D
Riders on the storm riders on the storm Into this house we're born, into this world we're thrown Like a dog without a bone and actor out on loan Riders on the storm
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The EndD C G G7Pas de barré
This is the end, beautiful friend. This is the end, my only friend, the end Of our elaborate plans, the end Of everything that stands, the end, No safety or surprise, the end.
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Light My FireD Am7 G F#m7 F A
You know that it would be untrue you know that I would be a liar If I was to say to you girl we couldn't get much higher Come on, baby, light my fire, come on, baby, light my fire Try to set the night on fire
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People Are StrangeB7 GPas de barré
People are strange When you're a stranger Faces look ugly When you're alone Women seem wicked
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L.A. WomanPas de barré
Intro : "Well, I just got into town about an hour ago..." "Took a look around, see which way the wind blow..."
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Break on Through (To the Other Side)Pas de barré
Chased our pleasures here, Dug our treasures there But can you still recall The time we cried ? Break on through to the other side
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Touch MeF# Am C# Am7 G Fm
Come on, come on, c'mon, c'mon now Touch me babe, Can't you see that I am not afraid. What was that promise that you made ? Why won't you tell me what she said ?
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Roadhouse BluesEm C B A C# D
Ah keep your eyes on the road, Your hands upon the wheel Keep your eyes on the road Your hands upon the wheel
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The Crystal ShipE Em D B Bm Am
Before you slip into unconsciousness, I'd like to have another kiss Another flashing chance at bliss, Another kiss, another kiss
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When The Music's OverEm A A9 D Em7 D/A
When the musics over, When the musics over here. When the musics over, Turn out the lights, Turn out the lights,
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The Soft ParadeEm G#m7 Am7 Am A#m7 F
When I was back there in seminary school There was a person there Who put forth the proposition That you can petition the Lord with prayer Petition the lord with prayer
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Love Her MadlyAm Am7 D7 D E D9
Don't you || love her madly ? | Don't you | need her badly ? | Don't you | | love her ways ? | Tell me | what you say ? | Don't you love her madly ? | | Want to | be her daddy ? | Don't you | love her face ? | | Don't you | love her as she's | walking out the door ? | | | Like she did one | thousand times before. | | Don't you |
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Hello, I Love YouA G D Bb Ab
Hello I Love You won't you tell me your name ? Hello I love you let me jump in your game. Hello I love you won't you tell me your name ? Hello I love you let me jump in your game.
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Five to OnePas de barré
Five to one baby, one in five No one here gets out alive, now You get yours baby i'll get mine Gonna make it baby if we try
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Peace FrogGm C Bb Em G F#m
[Chorus] There's blood in the streets it's up to my ankles, Blood in the streets it's up to my knee; Blood in the streets, the town of Chicago. Blood on the rise, it's following me.
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Love Me Two TimesA E D7Pas de barré
Changer pour (retour à ) Changer pour : (Après le 2e refrain)
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Moonlight DriveA7 D G7 E7 D7Pas de barré
Let's swim to the moon Uh huh Let's climb thru the tide Penetrate the evenin'that the city Sleeps to hide
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Strange DaysEm Gm Cm Am B F
Strange days have found us Strange days have tracked us down They're going to destroy Our casual joys We shall go on playing
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Love StreetAm G Gm F Bm A
She lives on Love Street Lingers long on Love Street She has a house and garden I would like to see what happens
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Back Door ManA7 D7 E7Pas de barré
Oh yeah oh man, I'm a back door man I'm a back door man, The men don't know, what your little girls understand.
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Waiting For The SunGm F G D D7 Eb
Riff1 At first flash of Eden we raced down to the sea, Riff1 Standing there on freedom's shore.
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The Wasp (Texas Radio and the Big Beat)E F# Em A G C#
I want to tell you about Texas Radio and the big beat. It comes out of the Virginia swamps, Cool and slow with rugged precision, With a backbeat narrow and hard to master.
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The Unknown SoldierAm G F C D APas de barré*
Breakfast where the news is read Television children fed Unborn, living Living, dead Bullet strikes the helmet's head
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End of the NightEm D D#m Am F#7 B7
Realms of bliss, realms of light, Some are born to sweet delight Some are born to sweet delight, Some are born to the endless night. End of the night, end of the night.
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Twentieth Century FoxA G E7 Am D F
Well, she's fashionably lean And she's fashionably late She'll never rank a scene She'll never break a date But she's no drag
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Been Down so LongB A EPas de barré*
Well, I've been down so Goddamn long That it looks like up to me Well, I've been down so very damn long That it looks like up to me Yeah, why don't one you people
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Spanish CaravanEm Am B7 B7/F# D9 D7
Couplets : Carry me caravan, take me away Take me to Portugal, take me to Spain Andalusia, with fields full of grain I have to see you again and again
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Blue SundayC Bb Db F7+ F C7
I found my own true love was on a Blue Sunday She looked at me and told me I was the only one in the world Now I have found my girl |- My girl awaits for me in a tender time
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Take it as it comesAm F E Em G D
Time to live Time to lie Time to laugh Time to die Takes it easy, baby
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Not To Touch The EarthGm Dm Fm Am Cm D
NOT TO TOUCH THE EARTH >From Waiting For the Sun Words&Music By the Doors Arranged by Tiago Eulalio ([email protected])
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Hyacinth HouseD Em/D G Am A
I need someone, yeah Who doesn't need me I see the Bathroom is clear. I think that someone is near. I'm sure that someone is following me Oh yeah.
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You're Lost Little GirlEm C D Gm G F
Think that you know what to do Impossible yes, but it's true I think that you know what to do Yeah! Sure that you know what you do
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Indian SummerC Dm Cadd9
Verse I love you, the best Better than all the rest I love you, the best Better than all the rest
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The ChangelingAm A7/9+ F Asus4 A9
I live up town, I live downtown, I live all around. I had money, I had none, I had money, and I had none; Bit I never been so broke that I couldn't leave town.
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My Wild LoveE5 Bm Am D5
She rode all the day She wrote to the devil And asked him to pay The devil was wiser It's time to repent
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Tell All The PeopleE A F# Abm F#m G
Tell all the people that you see Follow me Follow me down Tell all the people that you see Set them free
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Wild ChildGm Bb C G B A
With hunger at her heals Freedom in her eyes, She dances on her knees, Pirate prince at her side. Staring into the hollow idol's eyes.
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Summer's Almost GoneBm A Em D C F#maj7
Summer's almost gone, summer's almost gone Almost gone, yeah, it's almost gone Where we will be When the summer's gone
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Unhappy GirlCm Bb Gm Fm Bbm Ab
Girl, Unhappy girl Left all alone Playin' solitaire Playin' warden to your soul
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My Eyes Have Seen YouEm D B7 E GPas de barré
My eyes have seen you... My eyes have seen you... My eyes have seen you Stand in your door Meet inside,
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I Look At YouC G7 Bb Ab Cm Gb
I looked at you You looked me I smiled at you You smiled at me
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Yes, The River KnowsE Am G F Dm A
Please believe me The river told me Very softly Want you to hold me______.
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Shamans BluesG C FPas de barré*
There will never be Another one like you There will never be Another one who can Do the things you do, oh
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Queen Of The HighwayGm Cm7 F Em Am7 G
She was a princess, Queen of the Highway. Sign on the road said: "Take us to Madre." No one could save her, save the blind tiger. He was a monster, black dressed in leather. She was a princess, Queen of the Highway.
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The SpyE7 G E D A A7
I know your deepest secret fear. I know ev'rything: Ev'rything you do; Ev'rywhere you go; Ev'ryone you know.
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Cars Hiss By My WindowE A7 B7 B Am6 Bbm6
[Verse 1] The cars hiss by my window like the waves down on the beach The cars hiss by my window like the waves down on the beach I got this girl beside me But she's out of reach
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Maggie M'GillAm Dm C DPas de barré
Illegitimate son of a rock and roll star. Illegitimate son of a rock and roll star. Mom met Dad in the back of a rock 'n roll car. Yeah. Well, I'm an old blues man and I think that you understand. I've been singing the blues ever since the world began.
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Ship of FoolsPas de barré
Come on, baby, now we're going home Ship of fools, ship of fools (Instrumental)
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I Can't See Your Face In My MindAm G E7 Dm Em Gm
I can't see your face in my mind I can't see your face in my mind Carnival dogs consume the lines Can't see your face in my mind Don't you cry
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Wintertime LoveA D F E G C
Verse: Wintertime winds blow cold this season Fallin in love I'm hopin to be Wind is so cold, is that the reason Keeping you warm, your hands touching me
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Land Ho!Dm Em D C A Gm
Granda loved a sailor Who sailed the frozen sea He grandpa was the whaler And he took me on his knee He said Son Im going crazy From living on the land Got to find my shipmates And walk on foreing sands
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LamericaB A E C E7 A7
Friendly strangers came to town, All the people put them down. But the women loved their ways Come again some other day.
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Wishful SinfulD Bb A C F Bm
I know where I would like be Right back where I came Wishful Sinful wicked blue waters covers you Wishful Sinful wicked you cant escape the blue Magic is rising sun is shinning deep beneath the sea But not enough for you and me and sunshine Love to hear the wind cry
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Runnin' BlueA Am C D E7 Bm
Poor Otis dead and gone Left me here to sing his song Pretty little girl with a red dress on Poor Otis dead and gone
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Universal MindAm E Dm G Em APas de barré
I was doing time In the universal mind I was feeling fine I was turning keys I was setting people free
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Who Scared YouAm Fm Em Bbm Bb G
Who scared you? Why were you born, my babe? In two-time's arms with all of your charms, my love Why were you born, just to play with me To freak out or to be beautiful, my dear?
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You Make Me RealC7 F7 G F CPas de barré*
I really want you, really do, Really need you, baby, god knows I do. 'Cause I'm not real enough without you; Oh, what can I do?
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We Could Be So Good TogetherG A Am Bm D E
We could be so good together Ya, so good together We could be so good together Ya, we could, I know we could
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Orange County SuiteC FPas de barré*
Such a long long road to seek it All we did was break and freak it We had all that lovers ever had We just blew it and I'm not sad Well I'm mad and I'm bad
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Crawling King SnakeE A7 B7 Bb7 A
Caught me crawling, baby, when the grass is very high Keep on crawling until the day I die Crawling King Snake and I rule my den You better give me what I want, ain't going to crawl no more
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Do ItG G6 A D A6 C
Please, please, listen to me children. Please, please, listen to me children. Please, please, listen to me children. Say please, please, listen to me children. You are the ones who will rule the world.
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Easy RideF C7 C G7 G F#
The mask that you wore my fingers would explore. Costume of control, excitement soon un - folds. And I know, it will be an easy ride, yeah. Joy fought vaguely with your pride, with your pride, yeah.
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The MosquitoB7 EPas de barré
No me moleste, mosquito No me moleste, mosquito No me moleste, mosquito Why don't you go home? No me moleste, mosquito
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Build Me A WomanE A B D D#
There are slight variations on the live versions of this song by The Doors, **some contain explicit lyrics** This is a version for novice guitar players using a simple blues chord structure in standard tuning. Lead guitar players will find other tabs on UG. There are 20 bars in Verse 1, but regular 12 bars in verse 2 and in the instrumental and verse 3 is 16 bars. This version is tabbed from The Doors Absolutely Live 1970
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Someday SoonF#m D Am G E A
Tablature Explanation B = half bend R = release \ = repeat chord
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Ships With SailsAm C Dm G B F
"Ships w/Sails" - The Doors Well you asked how much I love you Why do ships with sails love the wind?
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I Will Never Be UntrueE B A C
I will always treat you kind Try to give you peace of mind Only you tell me that you love me One more time
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Hello i love you (ver. 2)A C G C# A#
She's Walking down the street, Blind to every eye she meets. Do you think you'll be the guy, To make the queen of the angels sigh?
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Feast Of FriendsGm D Cm Eb Db Bb
Wow, I'm sick of doubt Live in the light of certain South Cruel bindings, the servants have the power Dog men and their mean women pulling poor blankets over our sailors
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Love Me Two Times (ver. 1)E7 C7 A7 D7 G D
LOVE ME 2 TIMES (DOORS) The main riff is Love me two times baby
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Get Up And DanceG C A E F E7
[Verse] Oh people, get up and dance The new days coming, it's the end of a chance No need to worry, no need to hide Everybody is on the same side
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Break On ThroughD EmPas de barré
Break on through to the other side We chased our pleasures here Dug out treasures there Can you still recall the time we cried?
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Wandering MusicianC F D#º D C7 A
Please don't tell me what to do Cause even if I wanted to I couldn't throw my life away By listenening to what you say I'm telling you, aint nothing you can do to change my way
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Little Red RoosterG G/C C D
I am the little red rooster Too lazy to crow for day I am the little red rooster Too lazy to crow for day Keep everything in the farm yard upset in every way
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Texas Radio and the Big BeatE F# A Em G C#
I want to tell you about Texas Radio and the big beat. It comes out of the Virginia swamps Cool and slow with rugged precision With a backbeat narrow and hard to master.
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L'arrivée des Doors sur la scène du rock, avec leur premier album historique de 1967, a marqué non seulement le début d'une série de singles et de projets à succès qui allaient devenir de grands classiques, mais aussi quelque chose de bien plus important : une relation nouvelle et plus profonde entre les créateurs et leur public. Refusant d'être de simples amuseurs, le quatuor de Los Angeles n'a cessé de défier, de confronter et d'inspirer ses fans, plongeant la tête la première au cœur des ténèbres alors que d'autres groupes parlaient de paix et d'amour. Ils ont sorti six albums studio avec leur chanteur emblématique, Jim Morrison, ainsi qu'un album live (Absolutely Live - 1970) et une compilation (13 - 1970), avant la mort prématurée de Morrison en 1971, à l'âge de 27 ans. Les années suivantes, ils ont sorti Other Voices (1971) et Full Circle (1972) avec le claviériste Ray Manzarek et le guitariste Robby Krieger au chant. Les Doors ont été intronisés au Rock & Roll Hall of Fame en 1993. Le nom de The Doors est inspiré du livre d'Aldous Huxley de 1954, The Doors of Perception, lui-même inspiré des écrits de William Blake.