
Alanis Morissette
Accords et partitions
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IronicD Em7 D/F# Cmaj7 G D6
An old man turned ninety-eight He won the lottery and died the next day It's a black fly in your Chardonnay It's a death row pardon two minutes too late Isn't it ironic ... don't you think
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You Oughta KnowB F#m A F# E
I want you to know that I'm happy for you. I wish nothing but the best for you both. Another version of me Is she preverted like me? Would she go down on you in a theatre?
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Hand in My PocketG G4 F C D
I'm broke but I'm happy, I'm sore but I'm kind I'm short but I'm healthy, yeah I'm high but I'm grounded, I'm sane but I'm overwhelmed I'm lost but I'm hopeful, baby And what it all comes down to
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Thank UF C GPas de barré*
Verse: How bout getting off these antibiotics How bout stopping eating when I'm full up How bout them transparent dangling carrots How bout that ever elusive kudo
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AblazeG C Em7 D Bm Em
The first thing that you'll notice is some Separation from each other Yes, it's a lie; is that we've been Believing since time immemorial There was an apple, there was a snake, there
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Reasons I DrinkC F Bb Dm
These are the reasons I drink The reasons I tell everybody I'm fine even though I am not These are the reasons I overdo it I have been working since I can remember, since I was single digits Now, even though I've been busted
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Head Over FeetG C F Am D Bm
I had no choice but to hear you You stated your case time and again I thought about it You treat me like I'm a princess I'm not used to liking that
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You LearnG Gsus4 Fsus4 F C9 D9/11
Chorus: You live you learn You love you learn You cry you learn You lose you learn
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All I Really WantBb Ab Eb Bb7sus4 C# Bb7
Do I stress you out My sweater is on backwards and inside out And you say how appropriate I don't want to dissect everyting today I don't mean to pick you apart you see
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UninvitedD Gm C G D(dim)
Like anyone would be I am flattered by your fascination with me Like any hot blooded woman I have simply wanted an object to crave But you you're not allowed
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Hands CleanC D Bm Em G
If it weren't for your maturity None of this would have happened If you weren't so wise beyond your years I would have been able to control myself If it weren't for my attention
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SmilingG Cm C Em Gsus2/F# Eb
Verse 1 This is a life of extremes Both sides are slippery and enticing These are my places off the rails
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ForgivenD C# A6 F#m E F#sus4
I never forgot it Confusing as it was no Fun with no guilt feelings The sinners, the saviors The loverless priests
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Right Through YouE G A Esus4
Wait a minute man You mispronounced my name You didn't wait for all the information Before you turned me away You kinda hurt my feelings
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PerfectA E Esus4 B/A B G
Some - times * is never quite enough If you're flaw - less, then you'll win my love Don't forget to win first place Don't forget to keep that smile on your face
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Mary JaneD C G/B Bb F Gm
What's the matter Mary Jane, you had a hard day As you place the don't disturb sign on the door You lost your place in line again, what a pi - ty You never seem to want to dance anymore
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Not The DoctorE B D C F#m
Verse 1: I don't want to be the Filler if the void is Solely yours I don't Want to be your glass
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EverythingEb Bb F {%Bb {%Eb
1ªEstrofe I can be a asshole of the grandest kind I can withold like it's going out of style I have the bravest heart that you?ve ever seen And you?ve never met anyone whose
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TorchG D C Em F
Capo 3 I miss your smell and your style and your pure abiding way Miss your approach to life and your body in my bed Miss your take on anything and the music you would play
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That I Would Be GoodD7+ A E Bm F#m
That I would be good even if I didn't a thing That I would be good even if I got the thumbs down That I would be good if I got and stayed sick That I would be good even if I gained ten pounds That I would be fine even if I went bankrupt
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Your HouseAsus2 F#sus2/A Esus2/A F#m7 B7 Dsus2
I went to your house I walked up the stairs Dsus2 And I opened your door without the ringing the bell Walked down the hall
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Wake UpC E D GPas de barré
You like snow but only if it's warm (segura no ) You like rain but only if it's dry No sentimental value to the rose that fell on your floor No fundamental excuse for the granted I'm taken for
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DiagnosisD C Em G Bm B7
Call it what you want Cuz I don't even care anymore Call me what you need to To make yourself comfortable
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ReckoningAm FMaj7 G Dm C E7
[Verse 1] Hey, hey, little wanderer You walked the fields with all the fences down You never knew the scent of the predator You didn't know the house was on fire
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HerG F C Am DmPas de barré*
Verse 1: I am on the floor I am in my kitchen This place is so familiar on my?knees I?can hear the?footsteps
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Losing The PlotD G Bm A Bm9 Em
Verse 1: Welcome back, insomnia Ushered back into silence only when everyone else is sleeping And 'cause the city?is?sleeping No one ruthless?is rushing to get to the?front of the line, as usual
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Front RowA A4 E4 E F#m A9
Do you go to the dungeon to find out how to make peace with your days in the dungeon, writing A letter to you didn't make me feel anymore peaceful then how I felt when we weren't speaking 'Cause I didn't cop to what I did. I can't love you 'cause we're supposed to have professional Boundaries.I'd like you to be schooled and in awe as though you were kissed by God full on the Lips
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PedestalC F Am G D D4
Verse 1: I'm sure you've enjoyed the ride, who wouldn't? I'm sure every perk has perked you up, how could it not? And every opportunity through me helped you climb, didn't it? Dropping my name blew doors open that were closed before
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Joining YouCm Ab G Em C D
Dear dar(lin') your mom (my friend) left a message On my machine she was frantic saying you Were talking crazy That you wanted to do away with yourself I guess she Thought i'd be a perfect resort because we've had this inexplicable
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Sandbox LoveG D Em C Am Em7Pas de barré
Verse 1: Catapult me out Of this fantasy It's never been mine
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UnsentD C G Bm A
Dear matthew I like you a lot I realize you're in a relationship with someone Right now and I respect that I would like you to know that if you're ever Single in the future
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I Was HopingDm Bb G
As we were talking outside it was cold we were Shivering yet warmed by the subject matter my wife Was in the next room we´we been having troubles you know please don´t Tell her or anyone but I need to talk to somebody You said "wouldn´t it be a shame if I knew how great I was five
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Not As WeA G Bm D F#m7 A/C#
Reborn and shivering Spat out on new terrain Unsure, unconvincing This faint and shaky hour
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FlinchA7+ D7+ D C Dm F
What's it been over a decade? It still smarts like it was four minutes ago We only influenced each other totally We only bruised each other even more so
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Precious IllusionsD# C# G# F# B A#
You'll rescue me right? in the exact same way they never did.. I'll be happy right? when your healing powers kick in You'll complete me right? then my life can finally begin I'll be worthy right? only when you realize the gem I am?
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Missing The MiracleG C D Em C7M A
Verse 1: You call it bright and I call it simple And somewhere in the middle is truth And?you?see the hill ?and I see the castle Our front?that was united is doomed ooh
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BabaF# G
Verse: I've seen them kneel With baited breath for the ritual I've watched this experience raise Them to pseudo higher levels
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NemesisBm A G D Em F#
Verse 1: So I opened the front door, you walked in all handsome And ready for something you?saw?in my eyes Right?here, we sat and we tripped?out Saw celestial mosaics, and I fell and I crawled over and held your hand
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These Are The ThoughtsD Bm GPas de barré*
With my boyfriend ( intro riff ) Is he the one - that I will marry
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21 Things I want In A LoverF C D Em
Do you derive joy when someone else succeeds? Do you not play dirty when engaged in competition? Do you have a big intellectual capacity but know that it alone does not Equate wisdom? Do you see everything as an illusion? but enjoy it even though you are not of it?
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Eight Easy StepsAb7 Gbm6/Ab Ab Gb Db/F E
Verse 1 How to stay paralyzed by fear of abandonment How to defer to men in solveable predicaments How to control someone to be a carbon copy of you How to have that not work and have them run away from you
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GuardianG C D Am7 C9
I?ll be your keeper for life as your guardian I?ll be your warrior of care your first warden I?ll be your angel on call, I?ll be on demand The greatest honor of all, as your guardian
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So UnsexyE B F#m Am
Oh these little rejections how they add up quickly One small sideways look and I feel so ungood Somewhere along the way I think I gave you the power to make Me feel the way I thought only my father could
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UnderneathA Bm Dadd9 A9 A(add11+) D(no3)
Look at us break our bonds in this kitchen Look at us rallying all our defenses Look at us waging war in our bedroom Look at us jumping ship in our dialogues
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The CouchAm E F Dm F#m A
You hadn't seen your father in such a long time He died in the arms of his lover how dare him Your mother never left the house She never married to anyone else you took it upon yourself To console her.
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So PureBb Eb Ebm
You from New York You are so relevant You reduce me to Cosmic tears
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Are You Still MadD G Am7 a Db D5
Are You Still Mad - Alanis Morissette Supposed Former Infatuation Junk © 1998 Written By: Alanis Morissette Tune half step down - is 123 BPM
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Sympatetic CharacterA DPas de barré
Verse 1: The chords are and through the whole verse... ...the same is about all of the verses
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You Owe Me Nothing In ReturnAm Fm G C
Verse 1 I'll give you countless amounts of outright acceptance if you want it I will give you encouragement to choose the path that you want if you need it You can speak of anger and doubts your fears and freak outs and I'll hold it You can share you so-called shame-filled accounts of times in your life and I wont judge it
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OneBm F# A D G Bb
I am the biggest hypocrite I've been undeniably jealous I have been loud and pretentious I have been utterly threatened I've gotten candy for my self-interest
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Citizen Of The PlanetC#5 B5 A5 G#5 D#5 D5
I start up in the north I grow from special seed I sprinkle it with sensibility from French and Hungarian snow I linger in the sprouting until my engine?s full
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EmpathyB A E C#m
There are so many parts that I have hidden and denied and lost There are so many ways that I have cut off my nose to spite my face There are so many colors that I still try to hide while I paint And there are so many tunes that I secretly sing as I wait
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UrG Am C DPas de barré
Verse(play intro): Burn the books they've got too many names and psychoses All this incriminating evidence would surely haunt me If someone broke into my house Suits in the living room
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Can´T NotEm C A G D5 G7
(first verse played softly, almost without sound, pianissimo) I'd be lying if I said I was completely unscathed I might be proving you right with my silence or my retaliation Would I be letting you win in my non reaction? How would I explain?
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NarcissusD Dm G APas de barré
Dear narcissus boy I know you've never really Apologized for anything I know you've never really taken responsibility I know you've never really listened to a woman
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UtopiaC Dm F Bb Am
This is utopia this is my utopia This is my ideal my end in sight Utopia this is my utopia This is my nirvana My ultimate
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That Particular TimeC F G Dm D7 Em
My foundation was rocked my tried and true way to deal was to vanish My departures were old I stood in the room shaking in my boots At that particular time love had challenged me to stay At that particular moment I knew not run away again That particular month I was ready to investigate with you
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StillC# B F# Fm F#m G#
HOOK I see you averting your glances I see you cheering on war I see you ignoring your children And I love you still
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Sorry 2 MyselfEm D C G7 AmPas de barré
[Verse 1] For hearing all my doubts so selectively and For continuing my numbing love endlessly. For helping you and myself: not even considering For beating myself up and over functioning.
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Out Is ThroughC G G7 F AmPas de barré*
VERSE 1: Every time you raise your voice I see the greener grass Every time you run for cover I see this pasture Every time we're in a funk I picture a different choice Every time we're in a rut This distant grandeur
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In Praise Of The Vulnerable ManA E G# a C
This is in praise of the vulnerable man Why won’t you lead the rest of your cavalry home This is a thank you for letting me in Indeed in praise of the vulnerable man
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IncompleteG D A BmPas de barré*
( e novamente nesta parte) One day my mind will retreat And I?ll know god And I?ll be constantly one with her night dusk and day
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WunderkindG C Am FPas de barré*
Oh, perilous place walk backwards toward you Blink disbelieving eyes chilled to the bone Most visibly brave no apprehended bloom First to take this foot to virgin snow
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MoratoriumBbm F Cm G
I?ve never been this accountable-less and within I?ve never known focusless-ness on any form I?ve never had this lack of ache for dalliance, To let go, and let god in ways I have never even imagined
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My HumpsEm Am C B
I drive these brothers crazy, I do it on the daily, They treat me really nicely, They buy me all these ices. Dolce & Gabbana,
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NoF Am E Dm
[Verse 1] My mind is invaded, my gates are ignored My thoughts are negated and you're on a roll And I am offended by your acts of shamelessnes Your lack of conscience and your flagrant steamroll
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SurrenderingG A D CPas de barré
A guitarra entra aqui (ou violão), os caras ficam fazendo um monte de dedilhados e solos com A nota , se eu fosse colocar tudo que eles fazem eu ia ficar aqui um tempão escrevendo e Vcs não iam entender nada, enão vou colocar as notas da música e vcs se viram com os solos, Vcs podem fazer deilhado ou então só as batidas...!!!!!Falow!!!!!
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Versions Of ViolenceDm C GmPas de barré*
Coercing or leaving Shutting down and punishing Running from rooms, defending Withholding, justifying
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Heart Of The HouseAm D Em F Gm Dm
You are the original template You are the original exemplary How seen were you actually?
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OrchidG F Am C DPas de barré*
Cadd9 Aadd9 Cadd9 Aadd9 Me, and my helmet such an un-conventional kid Cadd9 Aadd9 D G All intense and kinetic, at best tolerated from afar Cadd9 Aadd9 Cadd9 Aadd9
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HavocG D A BmPas de barré*
Just when I thought I had handled solace I could soften my guard behind false confidence Just when I felt humbled by insipid Except from this blind side and from reading a script
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A ManEm C GPas de barré
We don't fare well with endless punishment We don't do it well with a life served as a setence This won't work well if you're hell bent on your offence I am a man who understands your reticence
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TapesBm D/A G Em7
Again: ?I?m the one they all run from? Diatribes of clouded sun Someone help me find the pause button All these tapes in my head swirl around Keeping my vibe down
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ExcusesD A G Gm DmPas de barré*
Why no one will help me i am too dumb i am too smart They'll not understand me i am lonely they'll hate me And there is not enough time its too hard to help me And god wants me to work no resting no lazy
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So-Called ChaosDm Am C FPas de barré*
Deadlines, meetings and contracts all breached D-days and structure responsibility Have-to's and need-to's and get-to's by three Eleventh hours and upset employees
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It's A Bitch To Grow UpG Cadd9 Em D C Bm
It's been 10 years of investment It's been one foot in and one out It's been 4 days of full of shit And I feel snuffed out
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Simple togetherD G A Bm F#m Em
You've been my golden best friend Now with post-demise at hand Can't go to you for consolation Cause we're off limits during this transition
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Unprodigal DaughterG F C E
I had disengaged to avoid being totalled I would run away and say good riddance soon enough I had grown disgusted by your small-minded ceiling To imagine myself bolting had not been difficult
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ReceiveCm Ab Eb Bb
I wake up and first things first, I'm of service I make sure your needs are met, I'm so selfless I give hard and serve hard and now I, I need a break I give in, I give all and now it's time to degenerate
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Doth I Protest Too MuchD C Bm G A Am
I'm not threatened by every pair of Legs you watch go by I don't cringe when you stare at women It's just a thing called guy I don't notice your side ways glances
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Big SurG C D Em AmPas de barré
Verse 1: Highway One Crystalline haunted sun With the pacific masculine crash My little one
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Sister BlisterF E Am
You and me we're cut from the same cloth It seems to some we famously get along But you and me are strangers to each other Cuz you and me: competitive to the bone
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OfferD GPas de barré
Who Who am i to be blue Look at my family and fortune Look at my friends and my house
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This GrudgeC F G Cmaj7 Em Am
VERSE1: Fourteen years thirty minutes 15 seconds I've Held this grudge Eleven songs 4 full journals, thoughts of punishment I've expended
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NumbDm Bb Gm A7
I feel smothered and encumbered and defeated and drawn Disappointed over-extended and frustrated and shaken This over-giving over-loving this caretaking goes on With no chance of intermission I'll be checked out I'll be gone
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MadnessG Cadd9
I've been most unwilling to see this turmoil of mine The thought of sitting with this has me paralyzed With this prolong exposure to mirror and averted eyes I've feigned that I've been waiting such mileage for empathizing
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SpinelessA Dm G D AmPas de barré
I won't see my dear friends as much Male friends especially I'll no longer be in touch I'll change my hobbies to match yours I'll stop reading my favorite books I won't spend all this selfish time alone
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Knees Of My BeesD Bm APas de barré*
You make the knees of my bees weak You are a spirit that knows of no limit Who knows of no ceiling, who balks at dead ends You are a wordsmith who cares for his brothers Not seduced by illusion or fair weather friends You make the knees of my bees weak
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SpiralB A E C#m Abm F#m
I could be daydreaming but for a moment And somehow they're creeping back in I could be sleeping and wake in a torrent Somehow I get cought in their grips again
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LensA A4 A2 D G Dm
[Verse] You and I are in the same room We both think we're fair A7sus4 We both live for truths
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Til YouD# A# Gm F/A Cm Dm
I've been wasting time clawing my way to you Taking no prisoners with my romantic crimes I've been holding out imagining glimpses of you Holding my breath while you come down the pike
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CelebrityDm Bb Gm A Am C
I have tasted stardom still before I breathed My well-known hungry daddy modeled it for me And I have never left this ambitious city And I've only known a lust for VIP I have studied long and hard had to proceed
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Not All MeG C Bm D
I wear their face on top of my face I am the perfect target screen For your blindly-fueled rage I bear the brunt of your long-buried pain I don't mind helping you out
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Superstar Wonderful WeirdosG D C7 C D7 D6
[Verse 1] Well, Sarah's only 10 But she's attracted to older men And they seem to like her back cause she's intelligent And Billy's a football star
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Edge Of EvolutionC# Fm Bbm G# G#/C
Verse 1: Here I live my story I leave it in the dust All of these psychologies Been entertaining enough
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20/20Em C G DPas de barré
I would never have been in such a rush I would never have tried to control I would never have worn such 'fear lenses' I would never have held on so tightly
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PurgatoryingB7 A Em BPas de barré*
Entertain me for the tenth hour in a row again Anesthetize me with your gossip and many random anecdotes And fill every hour with activity or ear candy Drop me off at intersections in any city metropolitan
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Limbo No MoreC D G/D D4 D9 D5+
My house, my role My friends, my man My devotion to God All the more feels indefinite
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Death Of CinderellaE A F# B
I'm wise and ambitious, And angry and free, And smart and available, And sexy... I'm soft and appealing,
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Pollyanna FlowerF# E G Bm Esus4
Between a broken nose and a fake smile Between piety and gunpowder Between fighting and fleeing the scene Between murder and diplomacy
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King Of IntimidationF C Bb E e B
G Gsus4 For you They live in a quiet monastery G Gsus4 For you
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PermissionDm F C Bb G
I've been an ace girl Offering much, grumbling low And I gave all, all that was asked of me When order was slow and vision was unrelenting
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LondonE B A D Badd7 Cm
What it feels to fall in to the pool The hard shell bugs bite my forearm My right index fingernail chewed to the quick My cervix is a long part My sprinklers go off at 6pm each day
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Fear of BlissF# F B A#
My misery has enjoyed company And although I have ached I don't threaten anybody Sometimes I feel more bigness than I've shared with you
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GorgeousE A A9 C Dm G
Testosterone in large amounts Your little sister got kicked out of God, you can't shave your head come to the Show the boys, they rock harder Your mother lent you her slip she lent you
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Awakening AmericansA E B DPas de barré*
We watch movies of murder and we censor the breast Give thanks for the murders of Chris Columbus We kill our own and we vote for the man The lesser of evils and us starring in the role of victim
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Magical ChildAm F G C DPas de barré*
[Verse] It's quite simple when I'm listening You keep leading me all the way home These messages you've been offering As a magical child
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SymptomsBm D G A F#
They caught him today Based ridicuolusly on his race They weren't sure he even did it But they needed a random face Are these symptoms, symptoms of a simpler cause?
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GuruBb F Eb
I started young, I was enthralled by your agape As a student I kept going colour me captured Disillusioned enough needed your guidance And so I turned over to you to lead me home
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TodayD A G BmPas de barré*
[Verse] I've fallen down, Joan of Arc ailing, systems are failing the mission They've been taken down, Wind from my sails, my tempers that flair and were vicious I'm going down, down, down I'm going down, down, down
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BreakF#m Bm C#5 F#5 B5 E5
Indeed I have sucked it up to heights Unknown to those outside My body has contained and suppressed And swallowed and abetted Oh I am a stranger to myself
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Ironic (acoustic)G C F Am Bb
It's the good advice that you just didn't take Who would have thought... it figures mr. play-it-safe was afraid to fly He packed his suitcase and kissed his kids good-bye He waited his whole damn life just to take that flight And as the plane crashed down he thouht "well isn't this nice..."
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Happy X-mas (war Is Over)A D E Bm Em A7
So this is X-mas And what have you done Another year over And a new one just begun And so this is X-mas
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After A Year Like This OneE A C#m7 D Cmaj7
[Verse 1] After a year like this one Dsus2 I'm surprised I did not hate your guts and After a year like this one
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The Weekend Song I Dont KnowGPas de barré
Asus2 Monday morning is not Monday morning A9sus4 'till Taylor has his coffee Asus2
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Not the doctor - (acustic)D Em E E7 G A
I don't want to be the filler if the void is solely yours I don't want to be your glass of single malt whiskey Hidden in the bottom drawer I don't want to be a bandage if the wound is not mine Lend me some fresh air

Alanis Nadine Morissette est née le 1er juin 1974 à Ottawa, au Canada. À l'âge de 6 ans, elle a commencé à prendre des leçons de piano, et à 9 ans, elle écrivait déjà ses propres chansons. À l'âge de 11 ans, Morissette rejoint le casting d'une émission pour enfants de Nickelodeon intitulée You Can't Do That on Television, et économise ses gains. En 1987, elle les utilise pour sortir elle-même son premier titre, "Fate Stay With Me". La chanson attire l'attention de la maison de disques MCA Canada ; à l'âge de 14 ans, Morissette signe un contrat avec la société. Elle sort un album éponyme, Alanis, en 1991, qui est certifié platine. Suivant rapidement le succès de son premier album, Morissette sort Now Is The Time un an plus tard, mais il n'atteint pas le même niveau de popularité. En 1994, Morissette s'installe à Los Angeles et fait équipe avec Glen Ballard, un vétéran de l'industrie, et elle commence à aborder l'écriture de chansons de manière plus organique. Le résultat de la collaboration de Morissette avec Ballard est Jagged Little Pill, qui sort en 1995 chez Maverick Records. Avec son son alternatif et nerveux, le single "You Oughta Know" a touché une corde sensible chez les auditeurs. En 1996, l'album a remporté plusieurs Grammy Awards, dont celui de l'album de l'année. L'auteur-compositeur elle-même a décrit de nombreuses chansons de Jagged Little Pill comme étant réactionnaires, alors que les chansons de son album suivant, Supposed Former Infatuation Junkie (1998), portaient davantage sur la rédemption et la réconciliation que sur la colère. Malgré le succès de sa collaboration avec Ballard, Morissette décide de faire cavalier seul en 2001, en écrivant et produisant elle-même l'album Under Rug Swept, dont le single à succès "Hands Clean", suivi de l'album So-Called Chaos (2004). L'album suivant de Morissette, Flavors of Entanglement (2008), a été enregistré au lendemain de sa rupture avec l'acteur Ryan Reynolds, que Morissette fréquentait depuis 2002. En mai 2010, Morissette a épousé Mario "MC Souleye" Treadway, et plus tard dans l'année, leur fils, Ever Imre Morissette-Treadway, est né. Après la naissance de son fils, elle a commencé à écrire ce qui allait devenir son huitième album studio Havoc and Bright Lights. En 2015, Morissette a sorti une version remastérisée de Jagged Little Pill pour son 20e anniversaire, accompagnée d'un CD de titres inédits.



















































































































