


Fiona Apple
Accords et partitions
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Fetch The Bolt CuttersC Dm6 Bb6 Gm Em
[Verse 1] I've been thinking about when I was Trying to be your friend I thought it was then, but it wasn't, it wasn't genuine I was just so furious but I couldn't
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ShameikaAm6 Eb Bb7 Ab Ab7 Abmaj7
On my way to school Grinding my teeth to a rhythm invisible I used my feet to crush dead leaves like they had fallen from trees Just for me, just to be crash cymbals
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ValentineA Em F G Am Db
~~~~~~~~~~~~~OK so I thought I had this song down until I played it along with the Track... turns out they are some very weird chords (damn you Fiona<3), but I will Do my best to explain them. (By the way this is for piano, I don't know how to Explain these inverted chords for guitar). Sorry if its a complete mess!~~~~~~~~~~~
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I Want You To Love MeA7 Am6 G C D7 F
[Verse 1] I've waited many years Every print I left upon the track Has led me here And next year it'll be clear
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CriminalF7 Cm7 Am Ab7 Bb C
I've been a bad bad girl, I've been careless with a delicate man. And it's a sad sad world, When a girl can break a boy Just because she can.
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Paper BagG F7 Cmaj7 B7 E C
I was having sweet fix of daydream of boy Whose reality I knew, was a hopeless to be had But then the dove of hope began its downward slope And I believed for a moment that my chances Were approaching to be grabbed
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Every Single NightC G7 F6 Am Ammaj7 Eb7
Every single night I endure the flight Of little wings of white-flamed Butterflies in my brain
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LadiesC Am Bb F G Gm
And the figure and the form And the revolving door that keeps Turning out more and more Good women like you Yet another woman to whom
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WerewolfF C Am G A# Dm
We were like a wishing well And a bolt of electricity But we could still support each other All we gotta do is avoid each other Nothing wrong when a song ends in the minor key (2x)
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RelayDmPas de barré
[Chorus] Evil is a relay sport when the one who's burned turns to pass the torch Evil is a relay sport when the one who's burned turns to pass the torch Evil is a relay sport when the one who's burned turns to pass the torch Evil is a relay sport when the one who's burned turns to pass the torch
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Under The TableF C Dm Am Fm Cm
[Verse 1] I told you I didn't wanna go to this dinner You know I don't go for those ones that you bother about So when they say something that makes me start to simmer That fancy wine won't put this fire out, oh
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Heavy BalloonF#m Bm C D F G
[Chorus] I spread like strawberries (I spread like strawberries) I climb like peas and beans (I climb like peas and beans) I've been sucking it in so long That I'm busting at the seams
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Left AloneG Bb D C
[Pre-Chorus] And now I'm hard, too hard to know I don't cry when I'm sad anymore, no no Tears calcify in my tummy Fears coincide with the tow
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Rack Of HisBb7 G7 D Ab D7 Gm
[Verse 1] I gave you pictures and cards on non-holidays And it wasn't because I was bored I followed you from room to room with no attention And it wasn't because I was bored
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CosmonautsC Em Fm G F Bb
Verse 1: Your face ignites a fuse to my patience Whatever you do, it's gonna be wrong There's no?time?to interrupt the?detonation Be good to me before you're?gone
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DaredevilG E C F Am Bb
I guess I just must be a daredevil I don't feel anything until I smash it up I'm caught on the cold, caught on the hot Not so with the warmer lot And all I want is a confidant
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I KnowC Fm F Am G D
Intro: So be it I'm your crowbar If that's what I am so far
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ShadowboxerG Dm Em Am G7 F
[Verse 1] Once my lover, now my friend What a cruel thing to pretend What a cunning way to condescend Once my lover, and now my friend
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Extraordinary MachineC Dm F Am G C7
I certainly haven't been shopping for any new shoes And I certainly haven't been spreading myself around. I still only travel by foot and by foot it's a slow climb, But I'm good at being uncomfortable so I can't stop changing all the time.
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PeripheryG A Em D7 Bm C
[Verse] Oh, the periphery They throw good parties there Those peripheral idiots Always have a bite to bare
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Anything We WantC e Am7 G Am F
My cheeks were reflecting the longest wavelength My fan was folded up and grazing my forehead And I kept touching my neck To guide your eye to where I wanted you to kiss me When we find some time alone
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JonathanA F E F# Bbm Eb
Jonathan, call again Take me to Coney Island Take me on the train Kiss me while I calculate And calibrate and heaven's sake
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DrumsetE APas de barré
[Verse 1] The drumset is gone And the rug it was on Is still here screaming at me Why did you take it all away?
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Never Is A PromiseC F Gm Am Dm7 E
Chords: Am x02210 E 022100 Fsus4 xx3311 Fadd9 xx3213 Asus2 x02200 Dm7 x57565 Gm 355333 G6/9 320200 Dbmaj7b5 x4556x
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Fast As You CanG7/F E7 G C Cm G#(dim)
I let beast in too soon, I don't know how to live without my Hands on his throat; I fight him Always and still O darling, it's so sweet,
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Sleep To DreamBb7 C7 A7 a E C
VERSE 1: [C]I tell you how I feel, but you [E]don't care [C]I say tell me the truth, but you [E]don't dare [C]And I say gimme mine back [E]and go there - for all I care
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Sullen GirlEm G9 Dm F(add9) Dm7 F6
Intro: Verse: Days... I don't know... All day and all night
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Not About LoveC F E Am F7 D
The early cars already are Drawing deep breaths past my door And last night's phrases sick with lack of basis Are still writhing on my floor And it doesn't seem fair
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Get GoneF# E7 F D#m Cm Gm
Bridge/Chorus: Cuz I do know what's good for me And I've done what I could for you But you're not benefitting, and yet I'm sitting Singing again, sing, sing again
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Slow Like HoneyGm D# Cm D Cm7 E
Does That scare you? I’ll let You run away But your heart will not oblige you
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LimpDm Am C F G#m Gm
You wanna make me sick You wanna lick my wounds, Don't you, baby? You want the badge of honor when you save my hide But you're the one in the way Of the day of doom, baby
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The First TasteEm Am Bm7 Asus4 Em7
I lie in an early bed, thinking late thoughts Waiting for the black to replace my blue I do not struggle in your web because it was my aim to get caught But daddylongs legs, I feel that I'm finally growing weary Of waiting to be consumed by you
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On The BoundFm E Dm Bbm Gm
[Verse 1] All my life is on me now Hail the pages turning And the future's on the bound Hell don't know my fury
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Love RiddenC Em G F Ebdim Eb
Chorus No, not baby anymore - if I need you I?ll just use your simple name Only kisses on the cheek from now on And in a little while, we?ll only have to wave
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A MistakeEm Eb A7 F7 Gm G
I'm gonna make a mistake- I'm gonna do it on purpose I'm gonna waste my time 'Cuz I'm full as a tick, and I'm scratching at the surface And what I find is mine And when the day is done, and I look back
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To Your LoveFm F Fm7 C7 Gm Em
Here's another speech you wish I'd swallow Another cue for you to fold your ears Another train of thought too hard to follow Chugging along to the song that belongs to the shifting of gears Please forgive me for my distance
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A Better Version Of MeG F7 C F Ab Am
[Verse 1] The nickel dropped when I was on My way beyond the rubicon What did I do? And of the games that I can handle
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Dull ToolD# A# C# G F# C
You, you stuck around, You stuck around, You stuck around, Until you got me Then, then you got me
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O' SailorDm Am Em Cm G#/F G#
I'm undecided about you again Mightn't be right that you're not here It's double-sided 'cause I ruined it all -But also saved myself by never believing you, Dear
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Pale SeptemberGb Ebm7
Ab6 Cdim Ab6 Cdim Pale September, I wore the time like a dress that year Ab6 Cdim Ab6 Cdim The autumn days swung soft around me, like cotton on my skin Ab6 Cdim Ab6 Cdim
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The Way Things AreF Am Em Bm C G
I wouldn't know what to do with another chance If you gave it to me I couldn't take the embrace of a real romance It'd race right through me I'm much better off the way things are, are
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Across The UniverseE B B7 C#m G#m F#m
Jai Guru Deva Om Nothing's gonna change my world, Nothing's gonna change my world. Nothing's gonna change my world, Nothing's gonna change my world.
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CarrionBb7 C Dm DmM7 Dm7 Bb
[Verse 1] N.C. Dsus2 Won't do no good to hold no séance What's gone is gone, and you can't bring it back around Won't do no good to hold no searchlight
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The Child Is GoneFm Bb G Dm Eb C
Intro Darling, give me your absence tonight Take the shade from the canvas and leave me the white
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LargoAb C7 Eb Fm C# Abm
I was recently rid of a man again, So I caught me a cab to see Flanagan. I told the cabbie 'To the alley in back' I told myself coming would keep me intact
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Parting GiftE5 A D G C B
I opened my eyes while you were Kissing me once more than once And you looked as sincere as a dog Just as sincere as a Dog does, when it's the
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Tymps (the Sick In The Head Song)Gm D Bbm Ab F# Bb
So why did I kiss him so hard late last Friday night And keep on letting him change all my plans I'm either so sick in the head I need to be bled dry, to quit Or I just really used to love him -I sure hope that's it
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Oh WellC F G# F7 Fm C#
[Verse 1] What you did to me made me see myself something different Though I try to talk sense to myself but I just won't listen Won't you go away, turned yourself in, you're no good at confession Before the image that you burned me in tries to teach you a lesson
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Get Him BackE A G# D A7 E7
[Verse 1] One man, he disappoint me He give me the gouge and he take my glee Now every other man I see Remind me of the one man who disappointed me
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Red Red RedD F# Dm9 Bb C Bm
I don't understand about complementary colors And what they say Side by side they both get bright Together they both get gray
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Waltz Better Than FineC Am B Dm D Cmaj7
[Verse 1] If you don't have a song To sing you're okay B C Edim You know how to get along
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Why Try To Change Me NowCm7 Dm7 F7 Bbmaj7 G9 G7
Covered and performed by Fiona Apple for “The Best Is Yet to Come - The Songs of Cy Coleman” and at “Largo @ the Coronet” respectively. Recorded also, amongst others by Frank Sinatra (1952), Sammy Davis, Jr. (1965), Helen Humes (1981), Elvin Jones (1984)
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After You've GoneC C7 A7 Fm G E7
Now won't you listen honey while I say How could you tell me that you're goin' away? Don't say that we must part, don't break my aching heart You know I loved you truly many years, loved you night and day
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WindowF E Am C D Eb
[Verse 1] I was staring out the window The whole time he was talking to me It was a filthy pane of glass I couldn't get a clear view
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Pure ImaginationFm Bbm Db Eb C Ab
Come with me And you'll be In a world of pure imagination Take a look And you'll see
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Please Please PleaseAm G C A7 Eb D
Please please please No more me-lo-dies They lack impact, they're petty They've been made up already
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Sallys SongEm B7 F D7 F# Am
I sense there's something in the wind That feels like tragedy's at hand And though I'd like to stand by him Can't shake this feeling that I have The worst is just around the bend
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I Cant Wait To Meet YouF Ebmaj7 Cm Bbmaj7 Bb Cm7
[Verse 1] I can't wait to meet you for the first time I don't know what I'll do that day I'll cry and I'll laugh and I'll kiss yo--ou
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I Walk A Little FasterBb F Cm G C Dm
[Intro] Pretending that we'll meet Each time I turn a corner

Sensation instantanée de la fin des années 1990, l'auteur-compositeur-interprète et pianiste Fiona Apple a été présentée comme l'antidote aux divettes pop emballées comme Britney Spears et Christina Aguilera. Au vu de ses paroles angoissées et de sa propension à choquer les intervieweurs, certains critiques l'ont classée parmi les provocatrices comme Alanis Morissette et Sinéad O'Connor ; d'autres, à l'écoute de ses débuts jazzés, pleins de voix et accomplis, l'ont comparée à Laura Nyro et Nina Simone. Apple a signé avec Sony Music et a sorti son premier album, Tidal, à l'âge de 19 ans. Le single principal "Criminal" a valu à Apple un Grammy et une place dans le Top Ten, en partie à cause de son clip controversé. Apple a enchaîné en 1999 avec When The Pawn..., dont le titre complet est un poème de 90 mots inspiré par les commentaires négatifs sur ses débuts. Extraordinary Machine a suivi quelques années plus tard, bien qu'il ait connu quelques retards. The Idler Wheel... est arrivé après une période de sept ans de tension et de mystère. Son titre, qui rappelle celui de When the Pawn..., est une version abrégée d'un poème plus long. Huit ans après The Idler Wheel..., Apple revient sur la scène musicale avec Fetch The Bolt Cutters, qui reçoit un accueil enthousiaste de la critique. Le titre de l'album est tiré d'une citation de la série The Fall de Gillian Anderson.